![]() That said, Impressionist music continues to challenge us as listeners a bit more than Impressionist painting does. Where Impressionist paintings leave the world of objects behind, Impressionist music goes beyond earlier conventions of harmonic and rhythmic development, moving from one bar to the next in a spontaneous, organic flow. His instrumental color, texture and meandering harmonies ignore traditional combinations. In Debussy’s music, he showed us how evocations of mood and atmosphere could function as light does in Impressionist paintings. Yet somehow that world materializes before us as we simply relax and look. Instrumentation: 2 flutes, piccolo, 2 oboes, English horn, 2 clarinets, 3 bassoons, contrabassoon 4 horns, 5 trumpets, 3 trombones, tuba timpani, tam tam, triangle, crash cymbals, suspended cymbal, bass drum, glockenspiel, harpsichord stringsĬlaude Debussy is widely regarded as “the father of musical Impressionism,” but what does that phrase really mean? By now we are comfortable viewing the paintings of Renoir, Monet and their colleagues, and their works have gained such widespread popularity that we must remind ourselves how Impressionist paintings shocked the eye back in the 1870s: The colors seemed strangely bright, the shadowy neutrals were gone, and the paintings rendered impressions of light rather than the world of objects in space.
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